Every designer alive has heard of Dieter Rams’s 10 Principles of Design–the legendary designer’s quick-reference rules for making products, developed in his early days at Braun.
In a suburb outside Paris, a little-known group of artisans are making Hermès surfboards, motorcycles, boxing gloves, and more fantastical creations.
Florence Knoll Bassett, the brilliant and influential architect, designer, and businesswoman who built the design and furniture studio Knoll into an icon of midcentury design and whom the New York Times in 1964 called “today the single most powerful figure in the field of modern design,” passed away at the age of 101 on Friday.
Toronto-based design research company Radical Norms worked with a computer vision algorithm, powered by a Google API, to design a chair.
Florence Knoll Bassett, a pioneering designer and entrepreneur who created the modern look and feel of America’s postwar corporate office with sleek furniture, artistic textiles and an uncluttered, free-flowing workplace environment, died on Friday in Coral Cables, Fla. She was 101.
Sweden-born Carl Gustav Magnusson is one of the most renowned industrial designers today as he continues leaving his memorable mark on the modern design work.
The platform has changed the way we discover design–but it’s also raised questions about originality, authenticity, and what makes a “real” designer.
In a career spanning six decades, the meticulous Los Angeles–based industrial designer has worked tirelessly to devise fewer than a dozen commercial objects.
The multidisciplinary studio specializes in product design & development, strategic consulting, creative direction, art direction and ephemeral architecture for internationally recognized design companies.
Meet Living Coral. It’s the color of resistance, of tech company rebrands, and of 1960s Americana–a familiar and energizing hue that you’re about to see everywhere.
Ideo partner Michael Hendrix discusses how design thinking can be used as a superficial tool to make a company seem innovative–even when it’s not.
For years, the design community has been working to build the case that its work has significant business value. A groundbreaking new study by the consulting firm McKinsey & Company can put a number on the impact design has on business.
Returning to Orgatec 2018 to further their ideas on the future of work, VITRA debuts the ‘soft work’ sofa system by Barber & Osgerby.
None of it has very much to do with furniture, which is perhaps a reflection of a moment when buying things as self-expression has taken a back seat to self-care for consumers.
Consisting of 200 colors–ranging from more traditional silvers and golds, to more aggressive purple sequin or blue diode–it’s meant as a reference point for anyone developing products today.
Marcus Engman is leaving Ikea to run a consultancy that convinces companies to spend their marketing budget on what matters: design.
Stantec Sacramento interior designer walks the runway in dress crafted from carpet, window shades, and upholstery—for a good cause.
In Gary Hustwit’s highly anticipated new documentary “Rams,” the legendary industrial designer indicts the world he helped create.